

Alex in Wonderland (1970)
Bohemian Alex Morrison has just finished directing his first feature-length movie. In its previews, the movie is considered a critical, artistic, and surefire commercial success, so Alex seemingly has his choice of what his next project will be. Alex has a few ideas, like a biopic of Lenny Bruce or a movie about a black uprising in Los Angeles. As he makes the rounds of both the Hollywood community and European movie centers for ideas, he fantasizes about movie scenarios of his those everyday situations, influenced by his movie idols, some of whom he actually meets, like Italian director Federico Fellini and French actress Jeanne Moreau. He's also wondering what to do about his personal life: does it make sense for him to "move up" with his wife Beth and their two daughters from their middle-class lifestyle? If so, filmmaking must not only achieve his main purpose of saying something meaningful, but also must be commercially successful. But must the need for commercial success ultimately take artistic control out of his hands?Alex in Wonderland featuring Donald Sutherland and Ellen Burstyn is available for rent or purchase on iTunes, available for rent or purchase on Apple TV, available for rent or purchase on Google Play, and 3 others. It's a comedy and drama movie with a less than average IMDb audience rating of 5.4 (921 votes).
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Available to rent or buy from $2.99 on 6 services (iTunes, Apple TV, Google Play, and 3 others).
Not available to watch free online.
Not available to stream on a subscription service.
Not available to stream on a TV everywhere service.
#39112 Ranked in Comedy Movies
#62892 Ranked in Drama Movies
Alex in Wonderland has a less than average IMDb audience rating of 5.4 (921 votes). The movie is somewhat popular with Reelgood users lately.
About Alex in Wonderland
Alex in Wonderland Overview
Bohemian Alex Morrison has just finished directing his first feature-length movie. In its previews, the movie is considered a critical, artistic, and surefire commercial success, so Alex seemingly has his choice of what his next project will be. Alex has a few ideas, like a biopic of Lenny Bruce or a movie about a black uprising in Los Angeles. As he makes the rounds of both the Hollywood community and European movie centers for ideas, he fantasizes about movie scenarios of his those everyday situations, influenced by his movie idols, some of whom he actually meets, like Italian director Federico Fellini and French actress Jeanne Moreau. He's also wondering what to do about his personal life: does it make sense for him to "move up" with his wife Beth and their two daughters from their middle-class lifestyle? If so, filmmaking must not only achieve his main purpose of saying something meaningful, but also must be commercially successful. But must the need for commercial success ultimately take artistic control out of his hands?