3 American LPs (1969)
Another short was 3 American LPs, which was the first film I did with Peter Handke. It was a film about American music, about three pieces of three LPs. There was a song by Van Morrison, another by Harvey Mandel, and one of Credence Clearwater Revival. It was mainly the music and some shots out of a car, landscapes out of the car window. And it had a little bit of commentary – dialogue between Peter and me about American music and about how American rock music was about emotion and images instead of sounds. That is to say, about a kind of phenomenon, that it was in a way a kind of film music, but without a moving picture. It was a 12-minute film and it was never shown. – Wim Wenders3 American LPs featuring Peter Handke and Wim Wenders is not currently available to stream, rent, or buy but you can add it to your want to see list for updates. It's a documentary movie with an average IMDb audience rating of 6.6 (74 votes).
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Why to Watch 3 American LPs
One of the highlights of 3 American LPs is its unique approach to storytelling. The movie is a blend of music and visuals, focusing on three pieces from three different LPs. This innovative format offers a fresh perspective on the traditional documentary genre.
Another interesting aspect of 3 American LPs is its exploration of American music, specifically rock music. The movie delves into the emotional and visual aspects of American rock music, offering a deep and insightful commentary on the genre.
Lastly, 3 American LPs is a collaboration between Wim Wenders and Peter Handke. Their dialogue about American music and its impact adds a layer of depth to the movie, making it a must-watch for music and film enthusiasts alike.
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3 American LPs has an average IMDb audience rating of 6.6 (74 votes). The movie is somewhat popular with Reelgood users lately.
About 3 American LPs
3 American LPs Overview
Another short was 3 American LPs, which was the first film I did with Peter Handke. It was a film about American music, about three pieces of three LPs. There was a song by Van Morrison, another by Harvey Mandel, and one of Credence Clearwater Revival. It was mainly the music and some shots out of a car, landscapes out of the car window. And it had a little bit of commentary – dialogue between Peter and me about American music and about how American rock music was about emotion and images instead of sounds. That is to say, about a kind of phenomenon, that it was in a way a kind of film music, but without a moving picture. It was a 12-minute film and it was never shown. – Wim Wenders